Storyboards for ads, film, animation and music videos
15–25 black-and-white frames a day, ready for the pre-pro meeting.
Pick the format. The format pages go into specifics.
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Storyboards for ads
TV commercials and brand films. 15–20 frames a day, ready for pre-pro.
See examples -
Storyboards for film
Feature films and TV drama. Block bookings, multi-week, looser style for volume.
See examples -
Storyboards for animation
Animation studios and brand campaigns. Keyframes, pre-pro consistency, colour add-on.
See examples -
Storyboards for music videos
Music videos and promo films. Animatic compilation, music alignment.
See examples
Every board, the same way.
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Scene + shot numbers
Every frame numbered the way pre-pro needs them. No translation step before the meeting.
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Camera notes
Arrows for movement, framing, lens choice — the practical detail a DP or director uses on set.
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Timing
Beats noted against the script. Long shots flagged. Cuts that need an animatic flagged early.
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Revisions included
One round of amends on a day-rate job. Same-day amends are normal on TVCs.
Brief in, boards out, five steps.
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Brief in, quote out
Send a script, shot list, or even a phone call. Quote back within 24 hours on weekdays with a frame estimate.
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Script read
Sit with the script and the references. Mark the moments that need a board and the ones that don’t.
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First pass
15–25 black-and-white frames per day, scene-and-shot numbered, with arrows for movement.
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Revisions
One round included. Same-day amends are normal on TVCs.
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Final delivery
Layered PSD, flattened JPEGs at print resolution, or TIFFs — whichever pre-pro needs.
Pulled straight from the campaigns.
Questions producers usually ask.
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How fast can you turn boards around?
15–25 black-and-white frames per day on a single-day brief. Quote back within 24 hours on weekdays. First frames typically inside 48 hours of brief sign-off.
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Colour or black-and-white?
B&W as standard. Colour add-on at roughly 1 extra day per 10–12 colour frames — costed separately on the rates page.
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Can you work from a script alone, without a shot list?
Yes. Send the script and any references, and the boards come back scene- and shot-numbered with my interpretation of the cut. We tighten on the revision pass.
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How many revisions are included?
One round of amends on a day-rate job. Same-day amends are standard on TVCs. Bigger creative pivots get quoted separately.
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Can you work in-house at the agency or production company?
Yes. Remote is the default, but I'm in London and can sit in at the agency or production office for pre-pro week if that's what the brief needs.
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What about tighter budgets — shorter projects, indie films, music videos?
Fixed project fees on request. Music video and indie film bookings often work as a half-day or block rate. Send the brief and I'll quote a number that fits.