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Pre-win · for agencies

Pitch visuals for advertising agencies

Help your idea land in the room. Polished frames in 48 hours.

Pitch frame by Seb Antoniou — Evian-les-Bains roadside scene with a pastel-pink Citroën H-Van, athletes assembled around it and the Alps behind, painted in colour for an agency pitch deck.
The problem

Why pitches need more than a planner's sketches.

Pitches are won and lost on whether the client can see the idea before they buy into it. A planner's sketches, deck stills and stock photography don't carry an original concept. A creative director showing rough scamps to a CMO is showing them risk, not work.

Pitch visuals do the opposite — they show the idea as a piece of finished film. The CMO sees lighting, talent, product, location. The CD doesn't have to talk over a blank slide. The strategist's narrative lands because the frame already shows it.

What you get

Deck-ready frames, clear ownership, signed before the brief.

  • 6–12 finished colour frames

    Rendered to deck quality, ready to drop into the agency's pitch deck template.

  • Ownership transfers on payment

    Frames belong to the agency once the final invoice clears. Use them in the deck, the chemistry meeting, the post-win kickoff.

  • NDA-friendly

    NDA signed before the brief lands, on request. Standard agency template fine, or yours.

  • Fast turnaround

    Brief Monday, frames Wednesday end of day on a standard pitch window. Tighter windows possible.

Sample work

One pitch, three celebrity treatments.

The Evian × Freuds pitch set, with Celine Dion and Jeff Goldblum celebrity options across 12 finished frames.

Celine Dion treatment

Luxury hotel setting, painted for the celebrity option.

Jeff Goldblum treatment

Alternate celebrity direction, same brand brief.

Brand-led treatment

Product-forward option, no talent, same campaign world.

Turnaround

Brief Monday, frames Wednesday end of day.

A standard pitch window runs Monday brief, Wednesday rehearsal, Thursday or Friday client pitch. The pitch-visuals slot inside that:

  1. Monday morning — brief in.

    Idea(s), proposed talent or location, mood references, tone. Best if it’s a 20-minute call.

  2. Monday afternoon — first roughs.

    Light scamps to lock composition and idea legibility. Agency confirms direction.

  3. Tuesday — render up.

    Finished colour frames built against the locked composition. Talent likeness, product detail, location feel.

  4. Wednesday end of day — delivery.

    6–12 frames in deck-ready format. JPEGs and layered PSDs.

Tighter windows are possible. Brief Tuesday morning, frames Friday end of day. Brief Thursday, frames Monday morning. The shape stays the same; the schedule compresses.

Confidentiality

NDA before brief. No public posting without your sign-off.

Pitch work is confidential by default. NDA on request before the brief lands — standard agency template fine, or yours. Frames don’t go on the portfolio, the Instagram, or anywhere public without the agency’s sign-off, and that sign-off usually only happens after the pitch win is announced.

Ownership of the frames transfers to the agency on payment of the final invoice. Frames can be used in the pitch deck, the chemistry meeting, the post-win client kick-off, and the credentials deck for the next pitch. If the agency wants exclusive use beyond that — banning Seb from showing the frames in his own portfolio post-win — that’s a separate licensing conversation.

Pricing

Fixed per-pitch fee, quoted in 24 hours.

Pitch visuals are typically costed on a fixed per-pitch fee rather than a day rate, because the rendering time per frame is higher and the brief usually compresses into 48–72 hours. Per-frame and per-pitch rates available on the rates page. Get a quote in 24 hours on weekdays.

See full rates

Pitching next week? Brief me Monday.

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